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National Orchestra Camp & Festival 2026: A Musical Celebration in Ipoh UNESCO City of Music

As part of Ipoh’s Music Month, the National Orchestra Camp & Festival 2026 transformed the heart of Ipoh Old Town into a vibrant stage for music, learning and cultural exchange.

Held from 3rd to 5th July 2026, the three-day festival brought together talented young musicians from Malaysia, Indonesia, South Korea, Japan and China, alongside an accomplished international faculty of conductors, coaches and guest artistes.

Founded by Ipoh-born Festival Director Eugene Pook and organised by his Selangor Symphony Youth Orchestra (SSYO), the festival celebrated far more than musical excellence. It created opportunities for young musicians to learn from internationally respected mentors, forge lasting friendships and perform for audiences in one of Malaysia’s most culturally significant cities.

Against the backdrop of Ipoh, a UNESCO Creative City of Music, the festival demonstrated how music can become part of everyday life. Heritage streets, riverside walkways and historic venues were transformed into performance spaces, allowing audiences to enjoy exceptional live music while discovering the unique character of Ipoh Old Town.

A Festival Where the City Became the Stage

Unlike a traditional concert series confined to theatres, the National Orchestra Camp & Festival embraced the city itself.

Every venue was within easy walking distance, allowing participants, families and visitors to move effortlessly between performances, workshops and rehearsals while exploring Ipoh’s renowned cafés, local delicacies and heritage attractions. This thoughtful approach created an immersive experience where music and the city’s rich cultural landscape complemented one another beautifully.

From intimate chamber performances to lively outdoor concerts, every event reflected the festival’s aim of making high-quality music accessible to everyone.

A Weekend Filled with Outstanding Performances

The festivities began on Friday (3rd July) evening with Jazz on the Street, where the acclaimed WVC Malaysian Jazz Ensemble, led by celebrated pianist Tay Cher Siang, filled Market Lane with infectious rhythms and contemporary jazz. As the evening unfolded beneath the open sky, enthusiastic crowds gathered to enjoy one of Southeast Asia’s leading jazz ensembles in the relaxed surroundings of Ipoh Old Town.

WVC Malaysian Jazz Ensemble with Tay Cher Siang (piano), AJ Popshuvit (bass), and Adriel Wong (drums)
WVC Malaysian Jazz Ensemble with Tay Cher Siang (piano), AJ Popshuvit (bass), and Adriel Wong (drums)

Saturday (4th July) offered audiences an opportunity to deepen their appreciation of orchestral music.

One of Southeast Asia’s most respected musicians, former Singapore Symphony Orchestra Concertmaster Lynnette Seah, presented an inspiring lecture titled Leading from the First Chair: Leadership & Responsibility of the Concertmaster. Aspiring musicians gained valuable insight into the artistic leadership, discipline and responsibility required of a concertmaster, while learning from one of the region’s most accomplished orchestral performers.

Later that evening, members of the public were welcomed into an open rehearsal, offering a rare glimpse into the meticulous preparation undertaken by the festival’s distinguished faculty before their chamber recital. It was an intimate and educational experience that revealed the dedication behind every polished performance.

Sunday (5th July) morning brought one of the festival’s most memorable moments.

By the Kinta River, the SSYO Chamber Soloists presented Antonio Vivaldi’s The Four Seasons in a beautiful open-air performance. Surrounded by nature and the charm of Ipoh Old Town, the music resonated through the riverside along with chirping birds as audiences paused to enjoy one of classical music’s most beloved masterpieces.

SSYO Chamber Soloists present Antonio Vivaldi’s The Four Seasons
SSYO Chamber Soloists present Antonio Vivaldi’s The Four Seasons
Eugene Pook
Eugene Pook

The celebrations continued at Kong Heng Square Artisan Market, where the Infinity Brass Quintet, Malaysia’s leading brass quintet, captivated audiences with an entertaining programme that highlighted the brilliance, warmth and versatility of brass chamber music. Their performance delighted visitors of all ages and added another vibrant chapter to a weekend filled with music.

Infinity Brass Quintet performs at the Kong Heng Square Artisan Market
Infinity Brass Quintet performs at the Kong Heng Square Artisan Market

Learning Beyond the Music

While audiences enjoyed the performances, the true heart of the festival lay behind the scenes.

Over two and a half intensive days, around 60 young musicians rehearsed together under the guidance of an outstanding international faculty that included Rachael Howarth, Juan Sebastián Castillo-Diaz, Angus Gibbon, Lynnette Seah, Aamil Sulaiman and Shum Hing-Cheung.

Participants strengthened their orchestral technique through sectionals, full rehearsals and individual coaching sessions while developing invaluable skills in teamwork, communication and musical interpretation.

Yet perhaps the greatest lesson extended beyond music itself. Young musicians from different countries, cultures and backgrounds learned to work together, exchanged ideas, explored Ipoh and built friendships that will continue long after the final concert. It was these shared experiences that truly defined the spirit of the National Orchestra Camp & Festival.

A Grand Finale

The festival concluded with an inspiring Grand Finale Concert at Sarang Paloh Event Hall.

Grand Finale Concert
Grand Finale Concert

Following days of intensive rehearsals, the combined orchestra of 60 young musicians delivered an accomplished performance featuring a programme that blended orchestral masterpieces with familiar favourites.

Faculty String Quartet
Faculty String Quartet

The concert began with a delightful Faculty String Quartet performance that included Dvořák’s American Quartet, alongside Kiki’s Delivery Service, Ye Lai Xiang and the beloved Malaysian folk song Rasa Sayang, arranged by Eugene Pook.

Audiences then enjoyed Bizet’s energetic Farandole from L’Arlésienne Suite No. 2, Strauss Jr.’s elegant The Blue Danube, Brahms’ lively Hungarian Dance No. 5 and Massenet’s lyrical Méditation from Thaïs, beautifully performed by violin soloist Lynnette Seah.

Adding another dimension to the concert, young singers from the Estee Pook Academy joined the orchestra for memorable performances of Tale As Old As Time from Beauty and the Beast, followed by the uplifting This Is Me from The Greatest Showman.

L-R Ally Yip Mun Yee, Phan See Teng & Wong Qian Ting
L-R: Ally Yip Mun Yee, Phan See Teng & Wong Qian Ting
L-R Iiysha Anne Lim, Mika Teh Shi Lin, Yickie Yeun Yi Qie
L-R: Iiysha Anne Lim, Mika Teh Shi Lin, Yickie Yeun Yi Qie

Their collaboration showcased the festival’s commitment to celebrating musical diversity while providing aspiring performers with opportunities to shine alongside accomplished musicians.

A Vision Born for Ipoh

Before the Grand Finale Concert began, Festival Director Eugene Pook reflected on the remarkable journey that had led to the festival’s success.

Eugene Pook gives a speech
Eugene Pook gives a speech

Born in Ipoh and now based in the Klang Valley, Eugene shared how meaningful it was to bring an event of this scale back to his hometown. He thanked government agencies, sponsors, venue partners, volunteers, parents and the wider community for believing in the festival and supporting its vision, acknowledging that organising such an ambitious event had presented significant financial and logistical challenges.

Support also came from YB Howard Lee Chuan How, who donated RM3,000 to the Ipoh Philharmonic Orchestra through the Ipoh Timur parliamentary constituency fund.

YB Howard Lee Chuan How (L) presents at mock cheque received by Eugene Pook on behalf of the Ipoh Philharmonic Orchestra
YB Howard Lee Chuan How (L) presents at mock cheque received by Eugene Pook on behalf of the Ipoh Philharmonic Orchestra

He also noted that although the event is known as the National Orchestra Camp & Festival, the participation of musicians from Malaysia, Indonesia, Japan, South Korea and China, together with distinguished coaches from the United Kingdom, Singapore and Colombia, reflected its international character.

Most importantly, he spoke about the experiences that could never appear in the printed programme.

New friendships were formed. Young musicians bonded over rehearsals, meals and conversations. Families explored Ipoh together, while participants discovered the city’s famous food, coffee and welcoming hospitality. These moments, he said, would remain with them long after the music had ended.

Eugene also expressed his belief that Ipoh Old Town offers one of the country’s most suitable settings for a festival of this nature. With performance venues, hotels, cafés and heritage attractions all located within minutes of one another, musicians and audiences alike could fully immerse themselves in both the music and the city.

As a UNESCO Creative City of Music, Ipoh provided the perfect backdrop for the festival, and Eugene expressed his hope that it would continue to grow and welcome musicians and audiences back to the city in the years ahead.

Eugene Pook (R) with (L-R) Juan Sebastián Castillo-Diaz, Shum Hing-Cheung, Angus Gibbon, Lynnette Seah, Rachael Howarth & Aamil Sulaiman
Eugene Pook (R) with (L-R) Juan Sebastián Castillo-Diaz, Shum Hing-Cheung, Angus Gibbon, Lynnette Seah, Rachael Howarth & Aamil Sulaiman

More Than a Festival

The National Orchestra Camp & Festival 2026 was much more than a series of performances.

It highlighted the power of music to connect people across cultures and generations. From inspiring masterclasses and open rehearsals to lively street performances and an unforgettable Grand Finale Concert, the festival showcased the very best of what can be achieved when passion, education and community come together.

For three remarkable days, music echoed through the streets of Ipoh Old Town, filling heritage spaces with creativity, energy and hope. As the final applause rang through Sarang Paloh Event Hall, the National Orchestra Camp & Festival has established itself as an important addition to Ipoh’s cultural calendar, further strengthening the city’s standing as a UNESCO Creative City of Music.

Event: National Orchestra Camp & Festival 2026
Venue: Ipoh Old Town
Date: 3rd – 5th July 2026

With love

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